When I was eleven years old, I thought I wanted to be an architect. I was attracted to building, materials, and the feeling of being in a place. However, I did not know what an architect did aside from make plans. Although, I lost the desire to be an architect, I still feel connected to the feeling that architecture evokes. I am aware how these shapes, ornament, and colors help form my perspective.
A building can hold and reveal stories and is a place to look out of and through. In the example above, I continue to examine Italian Rennaisance architecture. Here I fashioned a drawing after a domed building inspired by Andrea Palladion. While I am merely interpreting or making a derivative version of a building, I am also aware that art reveals more than one subject, and the inescapable subject is the medium itself. For example the act of painting always reveals the language and construction of painting. I realize now that I am also attracted to the structure and planning of architecture and perhaps this is what led me to study printmaking. Although different discipline, making prints required step by step planning and an exacting sensibility a kin to the architectural process.
While I have gained great pleasure from making prints and it has been an important component of my art, the means of its production has proven more and more ineffective when compared with digital rivals that tap into the same esthetic. Without a studio I can use vector graphics to prepare a range of marks equivalent to what I would have previously carved for a relief print. I can make blocks of color similar to the stencils made for screen printing. I can even use bitmap in photoshop to approximate touche washes used in lithography. Additionally, with a digital illustration, I have the freedom to test and make adjustments with less effort.
Because vector illustration can approximate printmaking, does this mean that myself or others should quit making prints? Probably not. However, it becomes increasingly apparent that one’s process may outlive its usefulness. This is worth investigating in much the same way we ought to consider the value of razing an old building to replace it with something new. Sometimes we have regrets and at other times the new results are an improvement.
Because I lack expert knowledge about pandemics, like the one the world is currently faceing, I felt it more useful to write about something else. Perhaps metaphors could be found here. However, my main intent is examine and reconcile competing demands.
As I have been focused on fatherhood and a new job, my artistic output has dwindled. In fact, I thought I was facing an artistic death. This would be a minor tragedy in relationship to a literal death. Additionally, while pre-occupied with more basic responsibilities, travel has seemed more of a luxury. I am currently living in Warsaw Poland, and one of my more modest goals is to visit the city of Zamość. It is described as an ‘ideal example of a Renaissance town’.
For now any travel has been postponed. However, after mentioning my desire to spend a day in Zamosc, I was gifted a book about Italian Renaissance architecture (the Renaisance represented a rebirth). I started making drawings inspired by this architecture. So far, all that I could complete was an image of a doorway.
While creating an image of this door is a start, I imagine being at this threshold viewing a city. It is my hope to eventually see Zamość and perhaps more drawings will emerge after revisiting the Renaissance.
Recently I took a trip to the eastern part of Poland near Białowieża National Park. This area of Poland is known for Eastern Orthodox Churches and the European Bison (in Polish “żubr”). I learned that there are few żubr left in Europe and they are related American bison. While I was able to see churches in their natural habitat, it proved more difficult to see żubr. In the end I had to pay to see captive bison.
This Orthodox church was striking to me because of its blue color and strong relationship with the sky.
Much of the remainder of my time in this area was spent walking through small villages. It seems that many old wooden houses are being renovated and there are at times striking signs of new architecture.
While I do not completely understand this, there are nests set up to aid storks in most areas of the countryside it Poland.
I also often see a kind of folk sculpture that is carved in wood. I particularly enjoyed this carving of an old man. He seems a bit stiff and strait like the beam of wood. It felt like the wood was made for him or he was made perfect for the wood.
For three nights I stayed in a wooden building built for guests. The owner explained that it was build from the materials of two barns. The food was vegetarian and very good and the other guests were great to be with. Here is a view of the front and back of the house.
Pets were are also allowed at the guesthouse. I counted four dogs and a cat. Humans and animals all had a good time.
It took a long time, but I finally was able to update this website and migrate posts from blogspot. After a year of slowly revising the design, I am pleased to start blogging at kipdeeds.com.
Beyond changes to the website, 2018 provided many new events. I got married, inherited a dog, and have been living in the countryside outside Warsaw, Poland. There has been little time for art making, traveling, or making blog posts. However, this past week a two day trip was taken to Bydgoszcz, Poland. Turoń is a nearby sister city (included as one of the Seven Wonders of Poland). Bydgoszcz is about a three and a half hours drive from Warsaw. While there I walked around old town and went to the Modern Art Gallery (focused on Polish artists in the modern era). I did not take pictures in the gallery and unfortunately the website does not seem to show much. However, I did take pictures on my walk. Included here are some samples.