Category: Visual Art

I am aware that my blogging output has steadily decreased as the months have past (shame on me). I have noticed that I either forget my camera when I go out or I bring my camera and the batteries are dead. This situation has not help my blogging. However, I am proud to say I acquired a new fifteen minute battery charger. So more images should be forthcoming.

This fall I have been taking courses in web and media design at Bucks County Community College and I am learning many fantastic programs, techniques, and processes. Soon I will have post-able examples of my progress. So far I have made ice cream melt in Adobe Flash, a poster in Photoshop, a kangaroo logo in Illustrator (it is a copy but I am mastering the pen tool), and finally I have made a button which when pushed meows like a cat. Other than school work, I have made new drawings and have made one journey to “The Big Apple”. While in NYC, I sought out Paul Klee’s drawings at the Met. Below is a work I saw at the Met. It is titled One Who Understands and is dated from 1934.

Paul Klee, German (1879-1940)

Since my last post in May, I have been traveling and busy making art. I spent much of the summer in Northern Michigan teaching at Interlochen Center for the Arts. In June I drove westward and stopped in Detroit. My main destination was the Detroit Institute of the Arts. A sunny day added to the allure of the visit. I found many folks out on the front lawn of the museum catching rays as they faced Woodward Avenue. The Institute houses Diego Rivera’s installation of murals titled Detroit Industry. The murals portray Ford’s assembly line and chronicles mankind’s advances and struggles with science and technology.

Diego Rivera, Detroit Industry (Detail), 1932-33

The Rivera murals occupied a whole court yard of the museum and are stunning to see. As it turned out I was equally impressed with the rest of the museum. When I arrived in Detroit I had low expectations given the press the city has gotten in recent years. However, I left the museum feeling that its collection is on equal footing with the best museums in the country and that the city will have better days ahead. The museum’s $158 million expansion project (completed in 2007) is partly responsible for this feeling but the collection, the curatorial work, and the staffs helpfulness sealed the deal for me.

The Institute has a particular diverse and strong collection of contemporary art including a special emphasis on art made by African Americans. Below are three more samples from the Detroit Institute.

Donald Lipski, Waterlilies #58, 1990

Jane Hammond, Mad Elga II, 1997

Kehinde Wiley, Officer of the Hussars, 2007

Beyond this excursion off the beaten path I spent most of the summer in a relatively rural spot in Northern Michigan not far from Lake Michigan and Sleeping Bear Dunes National Park. Reflecting upon this veritable isolation from urban life I produced a (seen below)drawing titled Off the Grid.

Stamps often provide an introduction to subjects and people

miracles I found.

Next time you go to the post office consider helping out the postal
service by buying unusual stamps and avoiding the forever stamps.
Forever stamps also equal more of the same for stamp collectors.
You will be helping out collectors and artists like me who
use stamps in their art. Below is one of my watercolor/drawings
that includes stamps.

Wall Drawing, 22″ x 15″, 2008